at night, we look at art; women with long dresses and ladders leaning on moons, curled up statues fight the
dark evening chill—fog rises from the damp leaves and seeps into our bones, into our exhaled breaths as we
contemplate unspoken questions, from unspoken conversations with dead poets and philosophers and husbands and wives
The oak tree leaves cling to their branches through the winter. They bend with the weight of the snow. Holding on tightly, they sway in the razor-cold wind. Come spring, the leaves will let go; floating silently on sweet breezes that carry them into the forest—where the deer hide and the sun sets.
good health—the positive management of your health
enough food—bowls of berries and platters of cheese, black beans, red tomatoes and good chocolate
the love of another person, or of an animal
safety—a warm home without fear
steaming cups of coffee and strong, black tea
good books on frigid mornings
candles that smell like balsam, like cherry pipe tobacco, like spicy cinnamon
old photos
tattered quilts
pine cones and dried flowers in vases
love letters tucked away with ribbons
crunchy walks in the snow
a good type of tired—from puttering in the house, from doing good for others, from shoveling someone’s walkway, from reading an entire book of poems in one night
freedom to get things wrong and freedom to get things right every once in a while
January is proving to be snowy and cold with white skies and treacherous roads. I marvel at the frozen beauty falling in a horizontal slant during a squall or drifting quietly out the kitchen window. My eyes are almost blinded by bright colors inside; I focus gently on softer hues, fairy lights, dried flowers, branches covered in yarn, books on snowflake photographs and these words from Thoreau:
January 1852: “The blue in my eye sympathizes with this blue in the snow….Would not snowdrifts be a good study,—their philosophy and poetry?” from The Journal 1937–1861 by Henry David Thoreau
glass hearts on the table
afternoon shadows on the door
heavy snow on the trees
the stillness of a perched crow—
perhaps it contemplates a distant destination,
the whisper of flapping wings,
the camaraderie of a journey at dawn across January skies,
or the solitary moment on the margin between flight and rest
Who could fail to embrace a season so beautiful and so fragile?
Excerpt from The Comfort of Crows A Backyard Year by Margaret Renkle and illustrated by Billy Renkle, 2023
The world outside has turned monochromatic, all shades of grey.
Juliet explores in the snow.
Inside, stacks of books are piled here and there. Dried flowers, pine cones and leftover slices of Christmas oranges are tucked into bowls. The tea brews. The afternoon edges closer to evening just as it starts to snow softly once again.
early, in the blue morning,
with a dusting of wet snow
and bitter wind,
the crows make their way from their roost—
their cacophony of sound traveling on the falling,
thick flakes, from a height that renders them small black specks that i struggled to see, beyond the iciness that clung to my lashes
marbles and crystals,
oak tree shadows on an unmade bed,
snow drops and snow flakes
and red velvet cupcakes
on a happy winter afternoon
spanishwoods 